IN-DEPTH EXPLANATIONS OF HOW THE CAMELOT WHEEL WORKS

WHAT IS THE CAMELOT WHEEL?


The peddler wheel is a graphic representation of a music proposition called the cycle of fifths (or circle of fourths). The Ukrainian Nikolay Diletsky was the first in 1679 to develop this tool, the German Johann David Heinichen will give it its graphic form in 1728. This representation is a circle divided into 12 degrees serving to show the relationship between the 12 degrees of the polychromatic scale, their corresponding differences, and their associated tonality. The Camelot wheel is in fact no different from this system and is only new in the criterion of a number to a degree for rapid-fire recognition of the uninitiated. This little novelty was designed by the company “ Mixed In Crucial” for its harmonious mixing development software bearing the same name and has therefore renamed “ the Camelot system”. Therefore this “ Mixed in Key” software offers deejays and musical programmers the ease of their selection and sequence of music, according to this system of the cycle of fifths (or circle of fourths) after having anatomized the different Tones ( major or minor) and Mixers ( do, re mi, fa sol, la, si) of music lines.

WHAT ARE A QUINTE AND A QUARTE?


In music, a fifth is an interval of 7 semitones, or 3 tones, and 1 diatonic semitone above a note. It’s known and appreciated because it points to the consonances of the notes. That is, any note played contemporaneously with the note refocused to by its fifth sounds affable to the observance. It’s the same for the fourth that it points to the consonant note at an interval of 7 semitones, that’s to say, 3 tones and 1 diatonic semitone below a note. The Fifths and the Fourths are veritably frequently used for the composition of music. In order to more fantasize these explanations, I made you a graph rephrasing the name of the notes and representing the placement of the fifths.


HOW TO READ THE CAMELOT WHEEL?


The Camelot wheel divides into 12 degrees divided into an inner part representing the “ minor mode” called A and an external part representing the “ major mode” called B, the major and minor modes are called the Tonality. The 12 degrees divided into 2 are listed from 1 to 12 and represent a precise musical note distributed by the cycle of fifths. The figures are therefore associated with the letters A and B to define what’s called a “ harmonious key”. So it’s veritably easy to fete the harmonious consonances of the keys. The keys that sound and mix in a affable way are the keys that touch each other. Also, for illustration, the harmonious crucial 1B sounds good with the keys 12B, 2B, and 1A.

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